Piano Clues

This article is for people who wish to learn how to accompany a singer, or their own singing.

When you play accompaniment, you just play the bass and the chords but not the melody of the song.

Of course, different styles have different requirements — in Jazz, you wouldn’t even play the bass, for example. The patterns I present here are suitable for pop and rock music.

The prerequisite is that you know how to do voice-leading. We’ll use voice-leading to go as smoothly as possible from one chord to the next (no big jumps).

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Suppose in a particular tune C chord is followed by F chord. Then you could play it like this:

However, that’s quite a big jump. As a result, the music sounds disconnected. Another way to play this chord progression:

Now only two tones change — the C remains in the same place — and they jump only a very small distance (a half-step and a whole-step, respectively).

The result is a much smoother sound. This principle is called voice-leading.

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Chords are made by playing three or more tones at once. Often we will play chords in root position, which means that the lowest tone is the root tone of the chord.

For example, C major in root position is played as: C - E - G (from low to high)

Often it is useful to put the chord tones in a different order. We’ll go into the reasons why later, but for now I’ll show you how to play such inversions.

If there are three tones in the chord, as in the C major chord above, we can play it in three different positions:

1. Root position (or fundamental position)
2. First inversion
3. Second inversion

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